What you resisted stayed.

Ghost & Grain is a record of that resistance.

This is not a portfolio.

Ghost & Grain exists for the unseen part of the creative life—the part that learned to wait, to soften itself, to stay quiet long enough to survive.

The work here is made slowly.
From memory.
From pressure.
From moments that refused to leave without being marked.

Ghost is the hidden subject in every piece—the self shaped by restraint, expectation, and time.

Grain is the refusal to erase evidence. Texture, imperfection, and resistance are not flaws. They are proof that the hand was present.

This work does not ask for interpretation.
It asks for recognition.

Black and white photo of a brick building with multiple windows casting shadows on the sidewalk. Tree branches and shadows are visible above and to the right, with a fence and street in the background.

How the work begins.

Nothing here starts with certainty.

A sketch begins when something lingers longer than it should.
A photograph begins when light refuses to behave.
A wash begins when memory interrupts the hand.

The process is physical. Paper buckles. Ink bleeds. Grain appears where control loosens. Those moments are kept, not corrected.

Perfection would erase the truth.

Those Who Remain

Some presences are quieter than others.

A man standing outdoors at dusk, holding a skateboard, wearing a black jacket, camouflage pants, black shoes, and a black cap, with trees and houses in the background.

Mitch Gonzalez

Creative Ghost

Mitch Gonzalez works across photography, ink, watercolor, and urban sketching, drawn to moments that resist clarity. His work is shaped by memory, restraint, and the quiet tension between presence and disappearance.

Rather than explaining, he leaves evidence—grain, blur, and imperfection preserved as proof the hand was there.

Through Ghost & Grain, Mitch creates for those who recognize silence as weight and subtlety as strength.

A dark, foggy scene with a silhouette of a person wearing glasses and a jacket, obscured by the mist.

The Interruption

Silas Vey

Silas Vey is not an author, not a subject, not a guide.

He appears in the margins—between images, beneath sentences, inside pauses that linger longer than expected. Sometimes as a silhouette. Sometimes as a fragment of handwriting. Sometimes only as a feeling that something passed through and did not stay.

Silas exists where the work transitions from seen to remembered. He was never meant to be found—only felt.

  • "I like being ignored."

    —Saul Leiter

  • “Art is the concrete representation of our most subtle feelings.”

    - Anges Martin

  • “I am not interested in shooting new things — I am interested to see things new.”

    —Ernst Haas

  • “I am at war with the obvious.”

    —William Eggleston

  • “If you could say it in words, there would be no reason to paint.”

    - Edward Hopper

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